《海岸之风》 Pour le Mistral (1966)

Credits
France, 1966 / 30’ / Black & White en colour / sound / 35 mm. / for a part CinémaScope
Dutch.: Voor de Mistral; Eng.: The Mistral
Direction: Joris Ivens; Direction assistant: Jean Michaud, Ariane Litaize, Michelle de Possel, Maurice Friedland, Bjorn Johanssen; script: Joris Ivens, René Guyonnet, Armand Gatti; camera: André Dumaître, Pierre Lhomme, Gilbert Duhalde; editing: Jean Ravel, Emmanuele Castro; music: Luc Ferrari; commentary text: André Verdet; commentary voice: Roger Pigaut; Production company: Claude Nedjar; Centre Européen Radio-Cinéma-Télévision
Copyright: Marceline Loridan-Ivens / Source material: private collection Joris Ivens, Marceline Loridan-Ivens, Paris / Digital restoration: European Foundation Joris Ivens, Nijmegen / With permission of: Marceline Loridan-Ivens, Paris

电影基本信息：
法国，1966/30'/黑白、彩色/有声/35mm胶片/某程度上属于西尼玛斯科普式宽银幕立体声电影（CinemaScope)
荷兰语片名：Voor de Mistral；英语片名：The Mistral
导演：Joris Ivens
助理导演：Jean Michaud, Ariane Litaize, Michelle de Possel, Maurice Friedland, Bjorn Johanssen
剧本：Joris Ivens, René Guyonnet, Armand Gatti
摄影：André Dumaître, Pierre Lhomme, Gilbert Duhalde
剪辑：Jean Ravel, Emmanuele Castro
音乐：Luc Ferrari
配音：Germaine Montero
解说词：André Verdet
解说：Roger Pigaut
发行公司：Claude Nedjar与Centre Européen Radio-Cinéma-Télévision
版权所有：Marceline Loridan-Ivens
原始资料现存：Joris Ivens夫妇私人收藏
经伊文思夫人同意，位于奈梅亨的欧洲伊文思基金于2008使用电子技术修复了影片。

Summary content
One of Joris Ivens' most poetic films is his first attempt to film and capture the wind. With a beautiful photography, a powerful editing and a poetic commentary the film tries to make the wind visible and tangible. It starts in black and white, continues in colour and ends in CinemaScope to illustrate the force of the upcoming Mistral wind that blows in the south of France. The original scenario was much more elaborate and ambitious and fits Ivens' lifelong wish to film the impossible: the wind. It was difficult to find a producer for this film, for most people were rather sceptical to finance a film with an invisible main character. Finally Claude Nedjar was willing to produce the film, which despite many financial problems was finished in 1966.

电影简介：
尤里斯 伊文思对于电影的终极浪漫追求便是捕捉“风”，拍摄一部以“风”为主角的作品。这部作品便是他的第一次尝试。影片的摄影技艺高超，后期剪辑也很得力，再加上影片中的诗意文本，这部影片向人们勾画出了风的形象。影片的开始为黑白色彩，后来转为彩色，最后以西尼玛斯科普式电影效果收尾，描绘出即将到来的海岸之风的威力。最初对这部电影场景的设计更为理想化和精致，因为这是伊文思毕生想要追求的主题：风。但是鉴于将“风”作为主题非常难以把握，所以没有人愿意投资这部电影。但是后来Claude Nedjar愿意帮助伊文思，于是纵使收到资金的诸多限制，这部影片还是于1966年完成了。