Edit Kaldor was born in Budapest. At the age of 13 she immigrated with her mother to the United States, where she lived for ten years. After receiving her degree in English and Theater at Barnard College (New York) and University College (London), she worked for 6 years with Peter Halasz (Squat theater/Love theater, New York), collaborating on numerous theater performances and filmscripts. She then enrolled at DasArts (the postgraduate performing arts center in Amsterdam), where she started making her own theatre pieces, which soon received international acclaim.
Edit Kaldor生于布达佩斯。13岁时，她与母亲移民美国，并在那里生活了十年。在英格兰、 纽约巴纳德学院戏剧系以及伦敦大学学院获得学位之后，她为Peter Halasz（纽约Squat剧场/Love剧场）工作了六年，两人合作完成了很多剧场表演和电影剧本。随后，她加入了DasArts（阿姆斯特丹研究生表演艺术中心），在那里她开始进行自己的戏剧创作，并很快赢得了国际认可。

 She currently lives and works in Amsterdam and Brussels and makes theater performances that tend to integrate the use of digital media, like Or Press Escape (2002), New Game (2004), Drama (2005), Point Blank (2007). In the past years she has been invited to perform her work in about 30 countries around the world.
她目前的生活和工作重心在阿姆斯特丹和布鲁塞尔，并着重于将数字媒体融合运用于剧院演出的尝试，例如Or Press Escape (2002)、New Game (2004)、Drama (2005)、“空点” (2007)。在过去的几年内，她应邀在世界上三十多个国家展示她的作品。

The press about Kaldor and her work:
Kaldor及其作品的媒体评论：

“The way in which Kaldor uses the theatre, - a place for collective dialogue - as a platform to show extreme isolation and the inability to communicate, and how she does this by using the codes that further induce our alienation is absolutely brilliant.”  (La Presse, Montréal, Canada)
Kaldor将剧院作为呈现孤立与沟通障碍的容器，使戏剧脱离了原本的对话模式。她在剧中设下种种暗码，观众在观看的过程中被逐渐带入了这种蔓延的疏离感。Kaldor对剧院的掌控及其表达手法可谓十分高明。《蒙特利尔日报》 ，蒙特利尔 (La Presse, Montréal)

“The most exciting view that the (Theaterformen) festival offered is the work of Edit Kaldor. This Hungarian theatre-maker, living in Amsterdam is a real discovery.” (Die Tageszeitung, Germany)
在此次Theaterformen国际戏剧节中我们惊艳的发现了一位居住在阿姆斯特丹的匈牙利剧院策划大师Edit Kaldor，她的作品无疑是此次戏剧节中最令人兴奋的演出。《每日新闻报》，柏林 (Die Tageszeitung)

 “The work has a paradoxical directness. We sense here a very strong artistic personality… While watching, our own solitude is guaranteed to hit us in the face.” (Liberation, France)
这个作品有一种悖论式的直率，我们可以清晰感觉到其中强烈的艺术个性。在欣赏的过程中，观众将会被自己潜藏于心底的孤独感所包围。《解放报》，法国  (Liberation)

“It doesn’t look like theatre, but it is. The best kind of theatre there is.” (Folha de São Paulo, Brazil)
这是一出并不形似戏剧的戏剧演出，是剧院艺术最佳的诠释形式。《圣保罗页报》，巴西 (Folha de São Paulo)