Participants

Arthub Asia
Exhibition

Arthub Asia is a multi-disciplinary organization devoted to contemporary art creation in China and rest of Asia. In collaboration with museums and other public / private spaces and institutions, it initiates and delivers ambitious art projects through a sustained dialogue with visual, performance, and new media artists. Inspired by the opportunities generated by the collective intelligence of the thinkers across media in the region, Arthub Asia serves as a creative think tank, a collaborative production lab as well as a curatorial research platform. Arthub Asia is committed to furthering experimentation, knowledge-production and diversity among dedicated artists, art professionals, scholars, and arts organizations.

Arthub Asia, a not-for-profit organization supporting the contemporary art creation in China and rest of Asia, is Network Partner of Prince Claus Fund 2008-2010.

Arthub作为一个富于创造力的智囊性机构,在多方合作下,扮演着艺术品实验室的角色,为新艺术、新思想、前沿项目以及视觉艺术和新媒体领域的对话提供一个研究平台,全力支持中国和亚洲其他地区的当代艺术创作。在本地各媒体领域的思想家们的集思广益下,各种机会纷至沓来,受此鼓舞,Arthub将致力于推动艺术试验和知识生产,促进艺术家、艺术工作者和艺术组织的多样性。

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Events at 2010DCC
Exhibition
Thursday, April 29, 2010 - 11:00
Free

Double Infinity, a joint initiative by the Van Abbemuseum and Arthub Asia, will open at the Dutch Culture Centre in Shanghai, parallel to the World Expo 2010.

Fringe
Thursday, April 29, 2010 - 15:00

15:00 Press Conference
15:30 Press pre-tour of the exhibition
16:00 opening of the exhibition with speeches from curators


16.00– on-going (outdoor) performance by Comfortable Collective (in this work, Maya Kramer) collaborates with candy makers to dazzle visitors of the exhibition opening with blown sugar versions of works from the Van Abbemuseum collection, which were not selected for this exhibition.

16:30 cocktail and performance The Party Camp Project by Zhou Xiaohu
During the opening of the exhibition Zhou Xiaohu invites all local

Fringe
Saturday, May 15, 2010 - 11:00


This weekend is dedicated to the extensive public programme, “Last Two Decades Revisited”, which revisit an alternative timeline for Chinese art history and tackles the historical significance, but also current fragility, of cultural exchanges.